segunda-feira, 20 de outubro de 2008

Dancing Passion in Words OR Bio Dancing Data

I was asked to write my bio-data because of the Workshop I'll be conducting. And this is how they do it here...

Raquel Lemos is a Portuguese Dance Lover, Teacher and Performer who is now in India working as a volunteer for Lalita Ubhayaker Foundation for the Arts.
Raquel was born in a family that shares the passion for Dance. Since early age, being the daughter of a Cape-verdean (African) father and a Brazilian mother, Raquel started dancing as a pass-time, a hobbie and a way of expression, as dance was an essential part of her family’s life.

While as a child she attended Ballet classes, from the age of 12 she started dancing Hip Hop. At 15, she was very active in the world of Fitness and started receiving training in Dance Monitoring. By the age of 16 she was conducting Hip Hop & Cardio-Funk classes both to Children and Adults on a regular basis. It was the beginning of her proficiency in dance.

During High-School Raquel got involved in a Theatre Group, which gave her a different insight into performing arts and stage creations. Her studies led her to do a college degree in Communication & Culture, but her life-time passion kept calling for her dedication.

Having contacted with the Latin Dance World, the community quickly and enthusiastically embraced her as a fast learner and a dancer from the heart. Few months later she was invited to become a dancer for Sabor Tropical Dance Company, which gave her personal training on the rhythms, moves and techniques of dances like Salsa, Cha Cha Cha, Merengue among others. She also received private lessons from the best Dance Masters in Portugal and overseas in the areas of Salsa, Zouk and other Latin and African dances.

With her dance company, for 3 years Raquel Lemos travelled Portugal giving classes, workshops and animations in many sorts of events and venues, having performed in the most notorious Latin dance congresses in the country including some TV shows. During this period she created, together with a dance couple, an original unprecedented methodology for the teaching of Zouk (couple dance style original from former Portuguese colonies in Africa and the French Antilles), which is now being used by many masters a little bit all over the country.

For the following years, she took training and traineeship in Show Production and contacted with some of the best practices in Hall and Cultural Management. In 2006, as she started her professional career as a Communication and Events Manager at the biggest private bank in Portugal, her time to teach and perform became limited. But as she took executive post-graduations in Events Management and Business Management, she still managed to use her spare evenings to perfection and diversify her dance skills, having attended several courses and regular classes in Sevillanas, Flamenco and Tango.

Raquel is nowadays an accomplished and multi-style dancer who does occasional performances and workshops under request. During her stay in India where she came to do volunteer work, she performed four times already, mostly for clubs and associations like Ashvasan, and she’s taking classes in Odissi classical Dance. Raquel Lemos loves plastic and performing arts, and she has long decided to take up Art and Culture as a producer and a managing facilitator rather then as an artist. It is in this scope that she joined Mrs. Lalita Ubhayaker in her endeavours in Smriti-Nandan Cultural Centre, Yuva Sangeet Utsav and Ashvasan Foundation. She is now invited to do a recollection of all Dances she learned throughout her life and present a World Dances Workshop for Children and Adults at Smriti-Nandan.

quinta-feira, 16 de outubro de 2008

World Dances Workshop

Dear friends,

During the month of November, I am conducting a WORLD DANCES WORKSHOP at my workplace, Smriti-Nandan Cultural Centre.


World Dances Workshop will be basically a practical overview of the rythms, dance styles, moves and some choreographies from a little bit all over the world: from Flamenco to Samba, from Hip Hop to Rumba, from Salsa to African Tribal, passing through many others... it will be a fun, healthy, learning and interactive cultural experience!


The level of difficulty is adaptable to each student, and in the end everyone who wants will participate of an open performance. The workshop will take place on saturdays, and the programme will be as follows:


WORLD DANCES WORKSHOP

A Journey through the Rythms and Dances of 3 Continents

By: Raquel Lemos, Portuguese Dance Lover, Teacher and Performer

Saturday, Nov. 1st '08: SPANISH

Saturday, Nov. 8th '08: LATIN-AMERICAN

Saturday, Nov. 15th '08: BRAZILIAN & AFRICAN

Saturday, Nov. 22nd '08: NORTH-AMERICAN

* Children: 2pm - 3.15 pm * Adults: 3.15 pm to 4.45 pm

* No special shoes or attire are demanded for the classes, you should just feel comfortable and in the mood for DANCE :).

Venue: Smriti-Nandan Cultural Centre www.smritinandan.org

Map: http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=109499249516994058062.0004475e089e952955d63&z=15

'Not Bad' and the Temple City

“Not bad” – many say to my travelling.
“En fait” (comme diraient les français), I’ve been travelling quite a lot within South India and I feel happy and realized because of that.
Staying in Bangalore for the weekends is almost depressing – this city is too busy and too stressful.


I hadn’t travelled since August 24th. Too long I know... But that’s when I went to Hampi... :
Hampi (in the same state as the recently renamed Bengaluru – Karnataka) was an amazing experience.
The momentum is gone though... A month and a half has gone now without me telling you anything about it, so I won’t come on to many details.
... So much has been happening that I haven't been managing to 'stop' living to actually tell my friends and family about life :) Apologize me for that.
So 'here comes the sun... txu ru ru ru... here comes the sun... I say: It's alright txu ru ru ru ru ru ru........."


Hampi is the place in India that I visited where SCALE is more obvious and striking.
You’re driven past dozens of temples through majestic piles of round rocks that only an Olympic God could have disposed in such a wonderful way over each other.
You reach peeks where the view invites you to meditate as your eyes get lost in a horizon measuring 360º. The air thickens but feels purer and the hot rocks burn your feet while you jump your way to the promise of an even greater landscape.
At the temples, they put red ink marks on your forehead as you visit and honor the God to which it is dedicated – the mark on your forehead signifies that you’ve been blessed for paying visit to this holly place. You’re invited to leave donations if you want, and also in some places you can buy sweets inside - especially when the God represented is known to like sweets in Hindu Philosophy (like Ganesha, the elephant faced young man).


Hampi is there where on one side of the river, you can find guest-houses, eat meat, drink alcohol… and on the other one, you can’t.
There where you find the smiling same children wanting to take pictures with you anywhere you go.
There where you have to take your shoes off, roll up your trousers, and walk through stopped waters and 'unidentified' mud until you reach the boat that will bring you to the other shore (only until 6 pm!).
There where shopping and sleeping is cheap.
There where you go up hundreds of stairs up a mountain to reach Monkey Temple and find it more than worth it, and then spend hours just amazing at the rocky greeny orangy never-ending landscape... and probably find hardly any monkeys. Others say that they’ve seen dozens of monkeys there, some that they were even followed by them: don’t lose hope! ;)
There where you see how society worked in the East much before any Romans civilized our global village or our Western Jesus started preaching.
(By the way, did you know that Jesus Christ spent more than a decade of his existence in India? – “e esta, hein?”).
There where temples are made out of rock – sometimes you can hardly disguise them in the horizon as they melt into the natural rock mountains.
There where you take sun baths in a deserted lake surronded by the huge round and polished rocks Hampi is made of.
There where you bargain until the end and have five drivers (at a time! :P) making you promise not to forget them - as in any touristic place in South India, actually.


Hadn’t seen old temples as yet. Here you have one at each corner, differently shaped, beautifully carved both on the inside and on the outside.
So so hot! If you go do book a full-day rickshaw to drive you around.

Gonçalo, Me, Jacky, Maria and Ahmed left out of Hampi wanting to come back.
We didn’t know what was expecting us though.


On the train back I lived my biggest challenge in India: but I’ll spare you the details and tell you only that we had literally no seats on a 1000 people train and occupied the worse 2 square meters in Sleeper class.
Having overcome that and its ‘nuances’ in a 10 hour train trip in India (and still avoiding any specifications as they tend to disgust listeners), I feel ready to sleep almost anywhere, with almost any discomfort, smell, ‘company’ or hygiene level.


'Tenho dito.'